The Conversion 2022
The Conversion” is a story of a love triangle based in Banaras and is all set to release in 8th oct 2021. Shot in the beautiful ghats of Banaras, the…
My Name Is Salt 2013
Year after year, for an endless eight months, thousands of families move to a desert in India to extract salt from the burning earth. Every monsoon their salt fields are…
Writing with Fire 2021
In a cluttered news landscape dominated by men, emerges India’s only newspaper run by Dalit women. Chief Reporter Meera and her journalists break traditions, redefining what it means to be…
Hannah: Buddhism’s Untold Journey 2014
‘Hannah’ tells the story of Buddhist pioneer Hannah Nydahl and her life bringing Tibetan Buddhism to the West. From her idealistic roots in 1960’s Copenhagen to the hippie trail in…
Last Film Show 2021
Samay fights heaven and earth to find light. He wants to catch, control, cut and project that light to tell stories. Now to pursue that dream he must leave everything…
Murder at Koh E Fiza 2022
Hullabaloo Over Georgie and Bonnie’s Pictures 1978
This lighthearted romp through Royal India presents a world of Maharajas, palaces, imperiled art objects, and the foreign collectors who will stop at nothing to possess them. Peggy Ashcroft and…
Everything Is Cinema 2021
Doo 2011
The story begins with Vasanth (Sanjay) who works in the sub registrar office. He lives with his mother (Urvashi) and hangs out with his two friends (Jeeva, Jegan). His life…
Not Today 2021
Aliah Rupawala, is a 24 year old Bohri Muslim girl from a very traditional family. She secretly becomes a Suicide Prevention Counsellor and on her first day she encounters a…
Bhavai 2021
Religion and Culture have blindfolded the society in such a way that one doesn’t want to question and neither does the curiosity to question or interrogate arise. If one is…
SERGEI : unplugged cinema by Shailendra Singh 2020
At just 19 years old, Sergei Polunin became the youngest ever Principal for the London Royal Ballet. He was called ‘the greatest dancer of his generation’ (The Economist) and ‘the…